Great or Nothing by Joy McCullough, Caroline Tung Richmond, Tess Sharpe and Jessica Spotswood

My first memory of Louisa May Alcott's Little Women is my older sister sitting in an easy chair in the living room and crying her eyes out while reading the book. When I asked why she was crying, she just said "You'll see." And I did indeed  discover why a few years later when I read Little Women in fourth grade. And I've never re-read it. But I have been enjoying some of the new retellings like So Many Beginnings by Bethany C. Murrow, More to the Story by Hena Khan, and Meg, Jo, Beth and Amy by Rey Terciero, among others. The latest retelling, Great or Nothing, takes place during a war like the original, but this time it is World War II.

The story begins in the spring of 1942. The United States has entered the war and people are still adjusting to the change. And that includes the March sisters, who are also still reeling from the recent death of their sister Beth. Now, their father is has enlisted as a Navy chaplain, Marmee is overly involved in charity work, and Laurie is a pilot stationed overseas. Laurie had asked Jo to marry him before he left, but she said no. Jo loved Laurie just not romantically. Then, she and Meg had harsh words. Jo couldn't understand why Meg would give up everything for math teacher John Brooke, and Meg couldn't understand why Jo had refused to marry Laurie. 

Unable to write after Beth's death and needing to get out of the house after her fight with Meg, Jo is living in a boarding house, while working in a factory producing airplanes. But when she meets Life reporter Charlotte "Charlie" Yates, and helps her write a story about the airplane factory, she realizes that she also needs to sort out her feelings for Charlie.

Meanwhile, Meg is still at home with Marmee, continuing to teach, content to wait for John, whom Amy called "that boring old fuddy-duddy," to come home and to get married. But when an old "friend" decides Meg needs to party, to have some fun, and to meet other more exciting men, she begins to question whether she would really be happy in a quiet marriage with John.  

Amy, who has been crushing in Laurie since she was a child, is supposed to be studying art in Montreal. Instead, unknown to her family, she has decided to join the Red Cross. At first turned down for being too young, Amy fortuitously finds another girl's application and uses that at another recruiting station, where she is accepted. After training, Amy is sent overseas with other recruits to work in a mobile canteen, where they serve coffee and donuts to American servicemen in London. And she runs smack into Laurie.  

And Beth? She's there, a spectral poetic voice following her sisters adventures, providing insight, and giving unheard, unheeded advice about life in between the chapters. 

Needless to say, as the story unfolds, it is clear that each sister has some big problems to deal with and some big challenges they need to overcome while navigating the war and their profound grief. 

I really enjoyed reading Great or Nothing, finding it a thoughtful, appealing story that could be seen as simply a YA wartime romantic novel, but it is actually more elevated than that. Racial and sexist issues are introduced in both Meg and Amy's stories. Meg has a student who is Japanese American and Amy encounters an African American soldier who is not totally accepted by everyone, including Amy's friend Edie. And then there is Jo, who finally figures out who she is and why she didn't have romantic feelings for Laurie.  

I also enjoyed some of the details included, like Victory Gardens, Victory Red lipstick, and of course, how women arranged their hair in Victory rolls, as well as the impact that shortages and rationing had on everyone. There isn't a lot of action to this story, but plenty of coming-of-age drama. And if I remember right, there wasn't much action in the original Little Women. I also felt that the original message about the importance of family bonds wasn't lost in this novel, even though the March sisters were scattered for much of the story. Sometime, you just need to get away from the security of home family to find yourself and appreciate what you have.  

The story is told in alternating chapters, each character written by a different author who a different voice and point of view to each of the March sisters. In case you are wondering who wrote who - Beth is written by poet Joy McCullough, Amy by Caroline Tung Richmond, Jo by Tess Sharpe and Meg by Jessica Spotswood.  

Lastly, there are some delightfully wonderful Easter eggs to be found throughout Great or Northing. Happy hunting!

That Burning Summer by Lydia Syson

It’s the summer of 1940 and Peggy, 16, younger brother Ernest, 11, and their mum have moved in with Uncle Fred and Aunt Myra, sheep farmers in Romney Marsh on the Kentish coast not far from the English Channel. Their father is gone, and Ernest thinks he is fighting in the war, but Peggy seems to know something more about where he is and so do the townspeople, who threat them with some amount of disdain.

Ernest is a bit of a neurotic boy, and like many, he's afraid that the Germans are going to invade any minute. He has gotten hold of the leaflet “If the Invader Comes…” issued by the War Office, which, rather than shoring up his courage, only makes Ernest more fearful.

Out riding his bike one day, Ernest sees a plane catch fire and crash land. When he reports it, as per the leaflet, everyone assumes it was a German plane that was swallowed by the marsh along with the pilot. But during the night, Peggy wakes up and discovers the injured pilot hiding by the henhouse.

It turns out the pilot, Henryk, is a Polish refugee who is flying with the RAF. Peggy decides to hide him in an abandoned church, and brings his clean clothes that belonged to her father, and some food. Henryk doesn’t want to return to the RAF, he has lost is love of flying, and has decided he just can’t fight anymore. As his story unfolds, Peggy learns about his escape from Poland after the Germans invaded, his travels to other countries to fight, and the loss of his family, including the tragic death of his three younger sisters.

Ever vigilant for invading Germans, Ernest eventually finds out about Henryk. As he gets to know him, he’s really torn - wanting to like Henryk but disturbed by what he believes to be Henryk’s LMF or Lack of Moral Fiber. Ernest has been bullied ever since arriving  in Romney Marsh and worries about his own LMF. In his need to prove his courage, Ernest’s wavering leads to all kind of dangerous complications for Peggy and Henryk, who meanwhile are finding themselves attracted to each other.

That Burning Summer is told from the alternating points of view of Peggy, Henryk, and Ernest. It begins with a copy of the leaflet from the War Office, and each of the seven chapter begins with the instructions of what to do in case of an invasion, instructions that are reflected in Ernest’s struggles with his fears of an invasion, his own possible lack of courage, and later with his feelings about Henryk. I though Syson did a masterful job of weaving each instruction into the unfolding of Ernest's story without making it sound forced.

But this is really Peggy’s coming of age story. Unlike her friend, Peggy doesn't really have feelings about boys, and certainly not about her own sexuality. Readers watch as she discovers her developing feelings for Henryk, and becomes aware of her budding sexuality. Besides the coming of age theme That Burning Summer also explores ideas of courage, cowardice, family, and loyalty in all her characters.

It is not a well-known fact that many Polish pilots flew for the RAF after their country was invaded and Syson brings how it came about nicely as Henryk's story unfolds. In addition, Syson includes interesting everyday details about wartime life in a small village, and a sub-story about where Peggy and Ernest’s father really is and why, along with a mystery as to who is sending cruel notes to their Mum. Another sub-story concerns an opportunistic bully who seems to know just how to get under Ernest’s skin, adding realism and depth to the novel. 

The novel really only covers the events of the summer and early fall of 1940, but there is also an epilogue set in 1946 that brings readers up-to-date with Peggy and Henryk's fate. 

That Burning Summer is a historical fiction novel that should appeal to readers who are interested in WWII, and especially those who also like a touch of romance.  

This book is recommended for readers age 14+
This book was a PFD received from the author

FYI: "If the Invader Comes" Leaflet (click to enlarge)